Music executives, such as Folkways founder Moses Asch, operated on trust in individual relationships between the recordist and artist to produce albums. At ethnomusicology’s inception in the late nineteenth century, recordists set out to preserve what they believed were dying cultures-a very progressive initiative for the time. We engaged with these questions during our summer internship in the hopes of gaining a deeper understanding of the collection.ĭefinitions of ethical standards are subjective in many such cases, as the practices of ethnography and acquisition of recordings evolved rapidly within the fields of anthropology and archival studies.
This prompts several questions: how many of these albums were collected under misguided pretenses? Furthermore, how many hold sacred, secret, or personal content that should not be heard by just anyone with a link? How can we, as anthropologists and curators, identify sensitive content? And how many lack artist names or the cultural recognition they are entitled to?
Many of those who recorded the tracks are no longer around to provide context and lend additional insight. Some date to the 1930s, when anthropological approaches to ethnography were less culturally sensitive. There are more than 4,000 accessible Indigenous tracks from around the world within the Folkways catalog. Leopold explained the policy: “Shared stewardship (sometimes called ‘co-curation’) refers to sharing authority, expertise, and responsibility for the respectful attribution, documentation, interpretation, display, care, storage, public access, and disposition of a collection item with the advice of the source community.”Ī definition is one thing. In October 2019, Robert Leopold, deputy director for research and collections, wrote “ What is Shared Stewardship? New Guidelines for Ethical Archiving” to highlight the Center for Folklife and Cultural Heritage’s commitment to shared stewardship. What does this mean for Smithsonian Folkways? How did this happen, and how can it be prevented in the future? You enter into a music world, naive of the history and culture it represents because only limited information is available. But that’s all you know about the song, and that’s nearly all there is to know. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.You select an album in the Smithsonian Folkways Recordings catalog, and your room is flushed with the sounds of “native” drums and flutes. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. Please examine every order upon delivery.
The delivery partner will email and/or call you one day in advance to arrange a delivery time.For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
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We recommend asking a family member or friend for an extra hand alternatively, you may upgrade to In-Home Delivery (see below). You will be responsible for further transport beyond that point. A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep.
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